中日音乐文化交流的背景及音乐形态比较  

The Background of Sino-Japanese Music Exchange and the Formal Comparison of Music

作　　者：张小梅[1] 

机构地区：[1]北京师范大学艺术与传媒学院,100875

出　　处：《文艺研究》2005年第7期83-87,共5页Literature & Art Studies

摘　　要：中日文化交流在唐代达到高峰。唐代中日音乐交流为民族文化交流提供了国际化和本土化的范本。本文通过对唐代中日两国之间音乐文化交流的历史考察,揭示了日本民族改造外来音乐文化并使其“本土化”的历程;并就中国雅乐与日本雅乐的异同及与唐代燕乐之间的关系,做了音乐形态方面的比较和梳理。The Sino-Japanese music exchange had come to its summit in Tang dynasty. It serves as an exemplar for the internalization and naturalization of cultural exchanges between nations. This paper explores the process in which the Japanese transform and naturalize foreign music and tries to compare such musical forms as the Chinese Ya Yue, the Japanese Ya Yue and the Yan Yue in Tang dynasty in order to find out their similarities and differences.

关 键 词：音乐文化交流 音乐形态 中日文化交流 民族文化交流 “本土化” 音乐交流 历史考察 中日两国 日本民族 日本雅乐 唐代 国际化 

分 类 号：J609.1[艺术—音乐]