清代北京说唱文学的发展特点及研究意义  

The Characteristic of the Development and the Researching Significance of Beijing Talking and Singing Literature in Qing Dynasty

作　　者：姚颖[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《北京社会科学》2005年第3期117-122,共6页Social Sciences of Beijing

摘　　要：本文首先总结了清代北京地区说唱文学发展的初期、中期、后期所呈现的不同特点,认为清代的说唱文学处于我国说唱文学发展的第二个高峰,传承了许多具有地域性的曲种,艺术形式上发生裂变与整合,节目流派纷呈,名家名角辈出。在清代中期和后期,北京的说唱文学发展尤其具有时代特点。此外,文章还归纳了清代北京说唱文学研究的五点意义。This article sums up the three steps in the development of Beijing talking and singing literature in Qing Dynasty. Talking and singing literature in Qing Dynasty is on the second pinnacle in the whole Chinese talking and singing literature, which keeps down many regional song types, takes place the fission and the conformity on the art format, while takes on many genre styles and brings lots of famous actors. Beijing talking and singing literature takes on the contemporary characteristics especially at the metaphase and the evening phase. The article also concludes several researching significance of the subject.

关 键 词：清代 北京 说唱文学 发展特点 研究意义 

分 类 号：I207[文学—中国文学]