“表现新的群众的时代”的新秧歌——“解放了的而且开始集体化了”的新的农民的艺术(上)  

The New Yangko of “Depicting the Masses in the New Age”

作　　者：安荣银[1] 

机构地区：[1]北京大学中文系

出　　处：《海南师范学院学报（社会科学版）》2005年第3期18-23,共6页

摘　　要：论文讨论“表现新的群众的时代”的“新秧歌”形态。话题集中在两点:一是“解放了的而且开始集体化了的新的农民”的艺术形态,涉及新秧歌的新的主题、新的人物、新的创作和演出、新的形式和风格。二是代表现代民族歌剧的《白毛女》中,秧歌形式的利用和新文艺在创造“民族形式”中的效用与限度。This paper attempts to discuss the form of ＂new yangko＂ for ＂depicting the masses in the new age＂, the topic of which focuses on two points： the first is the artistic form of ＂the emancipated and collectivized new peasants＂, involving the new yangko in terms of its new theme, characters, creation and performance, new pattern and style; the second is the utilization of the yangko and the efficacy and limit of new literary and artistic forms in esatblishing ＂the national pattern＂ in The White-haired Girl --a typical play representative of the modem national opera.

关 键 词：新秧歌 民族形式 民族歌剧 

分 类 号：I206.7[文学—中国文学]