论《刽子手之歌》中的作者不在场  

On the Author's Absence in The Executioner's Song

作　　者：石雅芳[1] 

机构地区：[1]浙江行政学院外语教研部

出　　处：《外国文学研究》2005年第4期44-51,共8页Foreign Literature Studies

摘　　要：本文试图将当今文学评论中的热点话题与作品研究结合起来。文章以作者不在场等相关思想为论述的出发点,进而分析了梅勒小说《刽子手之歌》中作者不在场的多种叙述策略,即文本风格的变化、文本与读者的直接交流以及文本的多维空间及互文性,以达到探索当今文学中作者与读者的身份与角色的转变及其意义的目的。The author of this paper attempts to integrate the practical study of a literary text with the popular discourse in contemporary literary criticism. Beginning with some ideas about the death and absence of the author, this article goes on to analyze the narrative strategies in Norman Mailer's novel The Executioner's Song, including the change of the language style, the direct confrontation of the narrative text and its reader, and the multi-dimensional space and intertextuality, so as to make an investigation into the transformation of the roles of the author and the reader in contemporary literature and to interpret the significance of this transformation.

关 键 词：《刽子手之歌》 梅勒 小说 叙述策略 美国 文学研究 

分 类 号：I712[文学—其他各国文学]