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作 者:王晖[1]
出 处:《华中师范大学学报(人文社会科学版)》2005年第4期92-97,共6页Journal of Central China Normal University:Humanities and Social Sciences
基 金:中国博士后科学基金资助项目"20世纪末中国写实文学的整体研究"(2003034056)
摘 要:“写实文学”的涵义本身在文学史或文学理论阐释的历史与当下时空中有其复杂性。写实主义、现实主义、自然主义、写实派等名称都或多或少与“写实文学”有着或远或近的关系。历史上对“写实文学”的阐释主要局限于以左拉为代表的自然主义的视阈之内,而在当代语境中,“写实文学”的阐释路径与空间,已非“写实文学”历史性阐释的单一和单向所能容纳,它更强烈地体现为一种融合了现实主义、自然主义和后现代主义的新质文学生态,而且它还是一个包容性强、有层次感的符码。The meaning of Realistic Literature itself has its complexity in the history of modern society. Realism, Naturalism etc. are more or less related to Realistic Literature whose explanation is mainly limited to the perspective of Naturalism represented by Zola, whereas Realistic Literature in historic explanation can not accommodate the approach and space of Realistic Literature under the contemporary context, because of its simplicity. It strongly embody the neo-quality literature ecology which Realism, Naturalism and Post Modernism are mixed together. And what's more, it is a symbol code of strong tolerance and arrangement of ideas.
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