《六弦琴》与梁上泉诗风的嬗变  

《Guitar》and the Transmutation in the Style of LIANG Shang-quan'sPoems

作　　者：袁珍琴[1] 

机构地区：[1]重庆文理学院中文系,重庆永川402168

出　　处：《渝西学院学报（社会科学版）》2005年第5期93-95,共3页

摘　　要：本文着眼于从《六弦琴》诗集中的作品分析梁上泉20世纪八、九十年代中诗风嬗变的迹象,同时探讨诗歌艺术发展的政治历史条件与诗人不断求新求变、提高自己精神境界的必要。This paper analyzed the transmutation indications in the style of LIANG Shang-quan＇poems in the 1980＇s and 1990＇s from the angle of the works in the poetry anthology 《Guitar》, made a study on the political and historical conditions connected with the development of the art of poems and pointed out that it is necessary for poems to bring forth new ideas constantly and deepen the mental world of their own.

关 键 词：《六弦琴》 梁上泉 诗风嬗变 

分 类 号：I207.25[文学—中国文学]