论《诗经·伐檀》阐释的历史渊源及当代原则  

On the History and Principles in Interpreting The Fatan in Book of Songs

作　　者：张瑞[1] 

机构地区：[1]新疆大学人文学院中文系,新疆乌鲁木齐830046

出　　处：《新疆大学学报（社会科学版）》2005年第5期127-131,共5页Journal of Xinjiang University(Social Science Edition)

摘　　要：《诗经·伐檀》历史上存在的解读却并不统一。传统的理解认为本诗为美君子之作,而现代却将其理解为对统治阶级的批判和揭露,产生这种理解分歧的原因是此诗小语境中存在一些空白点和大语境的作用。从文学文化转播的角度看,其当代阐释的基本原则应当是符合大众化阐示和文学审美教育思想价值的要求。The Fatan in Book of Songs is one of the famous cantos in the three hundred poems but is interpreted differently in history. The traditional interpretation takes it as praise to gentlemen whereas the modern one considers it to be criticism and exposition of the ruling class. The difference results from some contextual missing links. From the perspective of the cultural transmission of literature, the principle of interpretation is to meet the requirements that an interpretation must accord to popular taste and literary aesthetic values.

关 键 词：《诗经·伐檀》 历史阐释 语境 当代解读原则 

分 类 号：I207.22[文学—中国文学]