唐代审美情趣与其楷书主体形态之缘起  

On the Main Forms of Regular Script in Chinese Calligraphy of Tang Dynasty from Then Aesthetic Taste

作　　者：陈经[1] 

机构地区：[1]温州大学初等教育学院,浙江平阳325400

出　　处：《青海师范大学学报（哲学社会科学版）》2005年第6期106-109,共4页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

摘　　要：欧阳询、颜真卿、柳公权的楷书分别代表了初唐、盛唐、晚唐三个不同时期的楷书成就。这三种楷书形态的形成既与当时的社会发展现状有关,又与当时的审美情趣有关。本文结合唐代各种艺术形态的审美趣味,分析欧体、颜体、柳体的基本特征,探讨其中的内在联系。The regular scripts of Ou Yangxun, Yah Zhenqing and Liu Gongquan stand for the great achievements in the early, prosperous and late periods of Tang Dynasty respectively. Formation of the three different forms of regular script is not only related to the developing situation of the society at that time, but also has some connections with then aesthetic taste. On the basis of the aesthetic taste of various artistic forms of Tang Dynasty, this essay will analyze the basic features of Ou＇s, Yan＇s and Liu＇s style and probe into the internal relation among them.

关 键 词：唐代 审美情趣 楷书 关系 

分 类 号：J292.1[艺术—美术]