鲁迅论审美创造心境  

Lu Xun on the Aesthetic Creative Mood

作　　者：李城希[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《厦门大学学报（哲学社会科学版）》2005年第6期123-128,共6页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

摘　　要：鲁迅论审美创造有其特点。一般审美创造理论所关注的,集中在创作主体的创造来源及构想或冲动上,对现实生活因素与审美创造心境生成之间的关系缺乏认识和思考。而鲁迅却能从自己的体验与认识出发,对审美创作主体所面对物质生活条件、时代审美创造潮流及主体已有的审美批评等与审美创造心境生成之间的关系,有深刻的认识与发现。Lu Xun＇s theory on-aesthetic creation has its own characteristic. Generally, the various theories on aesthetic creation mainly focus on the source of the creative body. They lack the understanding and thinking of the relationship between the real life factors and the creation of the aesthetic mood. Lu Xun based on his own experience and understanding and reached a profound understanding and finding by making a comparative study of the relationship among the material living conditions faced by the main body, the trend of aesthetic creation, the aesthetic criticism already owned by the main body and the creation of the aesthetic mood.

关 键 词：鲁迅 创作主体 审美创造心境 

分 类 号：I210.3[文学—中国文学]