音乐思维在巴扬演奏中的培养摭探  

Impressions of Drawing the Round of the Compasses

作　　者：张晓[1] 

机构地区：[1]西南师范大学音乐学院,重庆400715

出　　处：《聊城大学学报（哲学社会科学版）》2005年第6期113-115,共3页

摘　　要：巴扬作为一种和声乐器,其演奏是客观而精细的。而任何乐器表达音乐都是想将其技巧与对音乐的理解作趋于完美的结合,其中正需要有正确的音乐思维做这个支点。立足这个支点,寻其音乐作品的表现规律,以演奏技巧的科学化训练为核心,来加强音乐思维能力的培养,从而超越纯技能的作业层面,来将音乐作品诠释的趋于完美。The bayan as a kind of harmony musical instrument,the play isobjective and renfined.And musical instrument any express music to become more and more perfect combination to make skill and understanding of music their to want,among them needing correct music thinking and doing this pivod.Base on this pivod,seek the behavior rule of its music works train with the core for the scientific process of playing the skill,to strengthen the cultivation of the thinking ability of the music,thus exceed the busywork aspect of the pure skill,interprete the music works tending towards perfection.

关 键 词：巴扬 音乐思维 内心听觉能力 表象 

分 类 号：J605[艺术—音乐]