男权文化与女性形象——从《白鹿原》与《废都》中的女性形象说起  

The Culture of Male Dominated Society and the Images of Women

作　　者：王源[1] 

机构地区：[1]甘肃联合大学文学院,甘肃兰州730000

出　　处：《西安电子科技大学学报（社会科学版）》2006年第1期121-125,共5页Journal of Xidian University：Social Science Edition

摘　　要：陈忠实和贾平凹在《白鹿原》和《废都》中都塑造了引人注目的女性形象,并试图通过这些形象反思女性的生存状态和命运。但是,由于传统文化影响的根深蒂固,强大的男权集体无意识的渗透,他们往往很难走出男权文化的樊篱,在作品创作中下意识地遵循着男权文化的评判标准,不自觉地流露出压抑女性生命欲求、否定女性生命价值的错位判断。Chen Zhong-shi and Jia Ping-wa, two well-known modern Chinese writers, have created spectacular female figures in their works ＂BaiLuYuan＂ and ＂FeiDu＂. They have both attempted to examine the status and fate of women through these characters. However, unfortunately they have been unable to break free from the traditional male dominated mind set due to the deep rooted and often unconscious influences of the powerful male dominated Chinese culture. In their works, they have involuntarily followed the traditional male thinking and have actually illustrated their wrong judgments and attitudes denying the value of women and oppressing and constraining their desire for freedom and self-expression in life.

关 键 词：女性形象 男权文化 价值判断 《白鹿原》 《废都》 小说 

分 类 号：I207.4[文学—中国文学]