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作 者:宋桂珍[1]
机构地区:[1]齐齐哈尔大学人文学院,黑龙江齐齐哈尔161006
出 处:《学术交流》2006年第2期168-170,共3页Academic Exchange
基 金:黑龙江省教育厅人文社会科学研究项目
摘 要:《呐喊》、《彷徨》塑造了一系列女性形象,深刻反映了鲁迅先生对女性问题的关注和他的妇女观。他站在广大被压迫妇女的立场上,感同身受地体察到了她们的悲惨处境,批判了造成妇女悲剧命运的封建制度和伦理道德,反对男尊女卑,主张男女平等。同时,也以“怒其不争”的态度,针砭了女性的麻木和愚昧,希望她们能自醒自爱,走向彻底的解放。A series of female images portrayed in Outcry and Wandering reflects Lu Xun's concern over woman and his viewpoint of woman. Taking the view of broadly-oppressed women, Lu Xun had experienced and observed their tragic situations, put forward serious criticism on feudalism and morals at that time, with the opposition of "men are superior to women," and embraced sexual equality. Meanwhile, he pointed out women's impassibility and unwisdom toward stereotypes, and hoped them acquire self-respect and self-awareness and walk up to thorough emancipation.
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