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作 者:张冬梅[1]
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2006年第2期75-77,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)
摘 要:叙事文本中隐喻地表达和理解都依赖于隐喻思维,叙事隐喻思维在认知过程中体现了从特殊到特殊、从一到多、此岸到彼岸的哲学二元对立关系。叙事隐喻不仅仅是艺术问题,还具有哲学意味,最终实现了人类“诗意地栖居”,完成了对真与美的传达。隐喻叙事构成了叙事隐喻文本艺术哲学层面上的真实,叙事隐喻思维是一种富有创造性的艺术哲学思维。The writer believes that in narrative text the expression and understanding are showed in the way of metaphor , which embodies the conflict duality relationship from one particular phenomenon to another from From one aspect of problem to many aspects of problem , from one side of an object to the otherside of the object. The narrative metaphor is not only a matter of art , but also has philosophica connotation. It is a poetic art medium by which human being convey their emotions and thoughts about beauty and true thoroughly. Narrating metaphorically is the sence of reality tothe art of narrative metaphor in the sense of philosophy. The thoughts of narrative metaphor are thore of philosophical art which are rich in creativity.
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