历史剧创造的人性深度  

Depth of Human Nature in the Creation of Historical Plays

作　　者：吴玉杰[1] 

机构地区：[1]辽宁大学文化传播学院,辽宁沈阳110036

出　　处：《辽宁大学学报（哲学社会科学版）》2006年第2期36-39,共4页Journal of Liaoning University(Philosophy and Social Sciences Edition)

摘　　要：历史的人与现实的人在人性方面存在同构,历史剧作家和现实观众都能理解和接受历史人物。相通的人类本性像一座心灵之桥,沟通了历史和现实。观众欣赏历史剧,不是单纯地去寻求历史知识,而更是把它当成审美的对象。这就要求史剧作家追求人性真实的深度。但是历史人物身上所具有的人性必须符合历史逻辑和性格逻辑,否则就失去历史的真实性,不能成为历史剧的创造。Historical and modern people have something in common in human nature. So both writers of historical plays and audience can understand and accept historical figures. Human nature links up history and reality like a heart bridge. Audience appreciates historical plays not only for historical knowledge but also for aesthetic aim. This asks writers of historical plays to look for the depth of human nature. But the human nature of historical figures has to accord with the logic of history and the logic of character.

关 键 词：历史剧 历史人物 人性深度 观众 

分 类 号：I01[文学—文学理论]