张扬自我的“新女性”——从文化视角看《浮生六记》中的陈芸形象  

A "NEW WOMAN" Who Makes Herselef Widely Known——the Cultural Implication of the Chen-yun Image in the Six Chapters of Floating Life

作　　者：孙兰花[1] 

机构地区：[1]广西师范学院文传院,广西南宁530001

出　　处：《南华大学学报（社会科学版）》2005年第6期84-86,共3页Journal of University of South China(Social Science Edition)

摘　　要：《浮生六记》中的陈芸以其内蕴的丰富性和特异性而成为中国古代文学史上具有现代意义的“新女性”形象。陈芸形象的出现是以江南才女辈出的人文环境、乾嘉时期兴旺的女学和性灵文化作为文化背景的。陈芸形象透视出的文化内蕴是中国封建社会女性自我意识的萌动和张扬,在潜意识中试图超越现实关系的束缚,追求舒展人性的自由空间的意向。The heroine Chen - yun in the Six Chapters of Floating Life is the ＂new female＂ character in the Chinese ancient literature because of the luxuriant and distinctiveness that she implied. The image of Chen- yun is based on the human literature environment which gifted female scholars come forth in large numbers in south China ; the flourishing feminism and natural disposition and intelligence during Qian and Jia period of Qing Dynasty . The literary implication through Chen- yun is the sprout and makes the feudal female＇s self- consciousness widely known.

关 键 词：《浮生六记》 陈芸 “新女性”形象 文化背景 文化内蕴 

分 类 号：I207.419[文学—中国文学]