“泛农民趣味”的颂歌——从中西方社会文化形态之比较看《水浒传》主题  

A Cultural Perspective to the Themes of The Marshland Outlaws

作　　者：高原[1] 

机构地区：[1]兰州师范高等专科学校中文系,甘肃兰州730070

出　　处：《兰州大学学报（社会科学版）》2006年第2期53-59,共7页Journal of Lanzhou University（Social Sciences）

基　　金：甘肃省教育厅2004年立项资助.

摘　　要：《水浒传》主题悬而未解、“多元”并陈久矣。似需要超越“多元”而跃升至新的“一元”综合中去认识其主题。因不论其“农民起义”说,还是“市民意识”说,乃至“忠孝节义”说、“忠奸”说、“诲盗”说等等,无不是封建农业文化这个“大文章”之下其题中应有之义,都是在表现对大农业文化体系下的“泛农民”思想意识与生活趣味的津津乐道和崇尚歌颂。这种主题定位将有效地解决那种传统的“多元”主题并陈所不能揭示出的《水浒传》主题的真正意旨与创作趣味问题。The pluralistic perspective to the themes of the novel The Marshland Outlaws has been prevailing for a long time and a Unitarian approach is now required to spot in some degree of accuracy the original theme. The prevailing themes imposed on it, such as peasant rebellion, bourgeois awareness, filial and royal loyalty, conflict between the loyal and the treacherous, etc. all result from an agrarian cultural environment with a peasant-oriented ideology and lifestyle. A new definition is beneficial in the understanding of the theme of the novel as is intended.

关 键 词：《水浒传》 泛农民趣味 中西社会文化形态 

分 类 号：I207.412[文学—中国文学]