从洛阳到邺城——北朝墓室画像及象征意义的转变  

From Luoyang to Yecheng --The Change of the Tomb Paintings of Northerm Wei and their Svmbolism

作　　者：李梅田[1] 

机构地区：[1]北京师范大学历史系

出　　处：《考古与文物》2006年第2期65-72,共8页Archaeology and Cultural Relics

摘　　要：洛阳与邺城作为北朝前后相继的两个统治核心，墓葬文化面貌具有很强的代表性。从洛阳到邺城，墓葬文化面貌发生了巨大的转折，尤其又以墓葬的装饰（即墓室画像）表现得最为显著。本文将以这两个地区的墓室画像为观察点，探讨北朝墓葬的象征意义及所反映的社会文化和观念的变化。From Luoyang to Yecheng, which was the capital of Northern Wei and that of Eastern Wei - Northern Qi respectively, the tomb paintings had changed both in forms and motifs . The Luoyang＇ s tombs focused on the stone mortuaries, and the stone relief＇ s theme was on the filial piety and immortal beings, While the Yechang＇ s tombs focused on the chambers, and the wall painting＇ s theme was on the honor guards, feast and enjoyment. The Luoyang tomb paintings, mainly inheriting the Han traditions, symbolized an unreal social ideality, but the Yecheng ones, influenced greatly by the Southern and Western cultures, indicated the owners＇ real social status and temporal life and bore a realistic meaning.

关 键 词：象征意义 画像 墓室 北朝 邺城 洛阳 文化面貌 社会文化 墓葬 观察点 

分 类 号：K879.4[历史地理—考古学及博物馆学]