音乐史的社会史坐标——谈中国近现代音乐史的书写方式  

Social History′s Milepost of Music History——On Writing Style of China′s Modern Music History

作　　者：常晓静[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《华侨大学学报（哲学社会科学版）》2006年第1期128-132,共5页Journal of Huaqiao University(Philosophy & Social Sciences)

摘　　要：近年来,音乐学研究界再次提起“重写音乐史”的话题,但关于如何重写似乎仍然缺乏明晰的思路。鉴于历史学领域的社会史写作是对传统的政治史写作的某种颠覆,如欲探索与既有的政治道统色彩过于浓重的音乐正史不同的叙事路向,同样有必要借鉴社会史写作的范式。Recently, the topic of rewriting music history was discussed within the academic music circle. However it is still no clear thinking about how to rewrite. In view of writing in social history style in historical field is a kind of overtum for traditional political writing, so ff we want to find a new narrative method other than traditional music history with strong political color, it is necessary to borrow the writing paradigm from social history.

关 键 词：近现代音乐史 重写 社会史 

分 类 号：B0-0[哲学宗教—马克思主义哲学]