“莹然而清,窅然而邃”——论厉鹗词的审美特征  

The Aesthetic Taste and Artistic Style of Li'E

作　　者：周潇[1] 

机构地区：[1]青岛大学师范学院中文系,山东青岛266071

出　　处：《青岛大学师范学院学报》2006年第1期83-86,共4页Journal of Teachers College Qingdao University

摘　　要：作为清代浙派词中期的领袖和巨擘,厉鹗承继了浙派之“清空”宗风,并以其孤淡幽冷的审美趣味与创作特征,成为“清空”艺术的真正代表。厉鹗在取境上多选择萧疏开阔的背景,并善于通过冷寂的意象,营造出深窅清隽的意境,用字上则趋向寒瘦,色调无华,呈现出清幽冷峭的特色,从而将“清空”艺术发展到了极致,但厉鹗之作能“清”能“幽”而不能“厚”,后学流于枯瘠冷僻,浙派也从此衰落下去。This article is the study of artistic features of Li＇ E, the leader as well as the most important writer of middle Zhe Ci School in the Qing Dynasty. Zhe Ci School writers believe that ＂Qing Kong＂ is supreme realm of art. Li＇ E regards ＂Qing＂ as his pursuit of both his morality and aesthetics. According to his stand, ＂Qing＂ means pure taste, delicate language and mild hue ; ＂Kong＂ means concise structure and avoidance from triviality and repetition, which can make realm expansive and words meaningful. The works of Li＇ E look bleak and desolate. Li＇ E develops the aesthetic theory of Zhe Ci School to its ultimate attainment, and from then on Zhe Ci School declines.

关 键 词：厉鹗 清代词学 浙派词 清空 

分 类 号：I207.41[文学—中国文学]