“仿”作为中国古代绘画创作方式的本质特性  

The Essential Feature of "Fang" as an Ancient Way of Chinese Painting

作　　者：常存文[1] 

机构地区：[1]内蒙古师范大学美术学院,内蒙古呼和浩特010022

出　　处：《内蒙古大学艺术学院学报》2006年第1期55-58,共4页Journal of Art College of Inner Mongolia University

摘　　要：“仿”是中国古代绘画明清时期一种独特的创作方式。其本质特征是“必得其意,且见我意”的借古人之法抒写己意。明清时期的绘画实践和理论充分说明了这一点。真正意义上的“仿”作为一种创作方式是继承与创新的有机统一。＂Fang＂ was a unique way of creation of ancient Chinese painting with the feature that ＂getting the meaning and understanding me＂. It borrowed the way of ancient people to express the painter＇s mind. The painting practice and the theory of Mng and Qing dynasty fully illustrated this. The true meaning ＂Fang＂ is a kind of mixture of inheriting and creation.

关 键 词：古代绘画 创作方式 “仿” 本质特征 

分 类 号：J204[艺术—美术]