浅论古典舞立身之本—身韵  

Posture and Rhyme:the Nature of Classical Dance

作　　者：佟欣婷[1] 

机构地区：[1]惠州学院艺术教育系,广东惠州516007

出　　处：《惠州学院学报》2006年第2期125-128,共4页Journal of Huizhou University

摘　　要：古典舞是一门借鉴、汲取、综合戏曲、杂技、武术等艺术精华的表演艺术,曾一度被一些人称作“戏曲舞蹈”。身韵教学法的确立使古典舞摆脱了对古典戏曲的依附,从而成为一门独立的舞蹈种类,确立了古典舞在中国舞蹈领域中的重要地位。只有在系统研究古典舞身韵的审美特性、作用、价值和教学方法等前提下,才能更好的继承和发展古典舞。Classical music, which was used to be called by some as ＂Drama Music＂, is a performance art intergrated by dramas, acrobatics and Wushu. Posture - rhyme teaching approach made classical dance be independent of classical drama. Therefore, classical dance had become an independent sort of dance and enjoyed an important position in the field of Chinese dances. Only ff the aesthetics, role, value and teaching approach of classical dance have been studied systematically, can classical dance be well inberited and developed.

关 键 词：审美 价值取向 身韵教学法 重要作用 

分 类 号：J722.4[艺术—舞蹈]