《竹枝》歌唱在宋代的变化与《竹枝歌》体  

The Alternation of Songs of Bough of Bamboo in the Song Dynasty and the Poetic Style of Songs of Bough of Bamboo

作　　者：杨晓霭[1] 

机构地区：[1]西北师范大学文学院

出　　处：《文学遗产》2006年第3期84-91,共8页

基　　金：本文为国家社会科学基金资助项目(03BZW036)

摘　　要：《竹枝》在宋代歌唱已少用唐音“含思宛转之艳”,而是借《阳关》、《小秦王》曲调“著腔子”歌唱,变为酒令表演,“一声三叠”;文人拟作带有仿歌谣性质,专称“《竹枝歌》体”,反映了歌辞创作向“词曲”“定腔”发展的趋向。本文论述为揭示“乐府声诗并著”的歌唱历史,亦为进一步论证诗、词之间的构成关系提供了启示。Songs Bough of Bamboo in the Song Dynasty were different from those in the Tang Dynasty; they were developed into something like a performance of 'catch - words for drinking' (酒令) with 'triple - lap of one melody' (一声三叠); those literati simulated them to make them like ballads and specifically called them 'the lyrical style of Bough of Bamboo , representing the tendency of words for songs developing to ci ?poetry. Tliis text offers the hints of such a development from singing poetry in Yuefu (乐府声诗并著) to ci - poetry.

关 键 词：《竹枝》 宋代 歌唱艺术 《竹枝歌》 体裁 

分 类 号：I206.2[文学—中国文学]