人物对话:推动情节与塑造性格的有力手段——评海明威《弗朗西斯·麦康伯短促的幸福生活》  

Dialogues: an Effective Means to Unfold Plots and to Portray Characters——on Hemingway's Short Story The Short Happy Life of Francis Macomber

作　　者：郭雷[1] 杨宜三[2] 

机构地区：[1]华北电力大学外国语学院,河北保定071003 [2]中央司法警官学院,河北保定071000

出　　处：《华北电力大学学报（社会科学版）》2006年第2期114-119,共6页Journal of North China Electric Power University(Social Sciences)

摘　　要：小说中的人物语言是作者赖以向读者展示人物形象与个性特征的重要途径。生动的人物语言不仅对于性格塑造意义重大,而且还使作品中的人物丰满、鲜活,增强故事性,产生动感效应,有力地推动故事情节向纵深发展,充分地展示主题。人物语言一般是指对话、独白或心理语言。其中唯有对话发生在两人或两人以上相互交流的情景之中,是人物性格的感情流露和意向表示。因此,人物语言中以人物间的对话最为重要。Characters＇ language is an important personalities and their individualities. Well-designed means by which an author exposes characters＇ characters＇language plays a tremendous role not only in portraying an individual character, but also in making a character sound real and vivid. Characters＇ language, which usually produces an effect of dynamic, tends to lead plots deep into a story and eventually to the theme. Characters＇language is usually composed of dialogues and monologues or psycho-language, and only dialogues happen between two characters or among more characters. Therefore dialogues are generally regarded as the most important part of characters＇language.

关 键 词：海明威 对话 情节 性格 

分 类 号：I106.4[文学—世界文学]