戴望舒诗的现代性举要  

The Modernity Essence in Dai Wang-shu's Poems

作　　者：蒋淑娴[1] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048

出　　处：《辽宁大学学报（哲学社会科学版）》2006年第3期43-47,共5页Journal of Liaoning University(Philosophy and Social Sciences Edition)

摘　　要：戴望舒作为中国20世纪30年代现代主义诗歌的领袖,强调新诗“应该有新的情绪和表达这种情绪的形式”,主张写“纯诗”,统摄在他诗歌中忧郁感伤的情怀,是诗人通过对自我灵魂的本真思考得到全面的展示;诗人灵魂与自然意象的融合,既表现与西方象征主义诗歌的密切联系,又深印着传统文化的心理情结。Dai Wang-shu was the chief of the modernism poetry in 1930s. He emphasized that the new poetry must have the new emotions and form, and he claimed that the poets should write the pure poems. So the doldrums and pathos feelings were completely unfurled throughout the soul thought himself in Dai Wang-shu＇s poems. On the other hand, the amalgamation about the poet spirits and nature imago, not only represented the most friendly contact with the symbolism poetry of western countries, but also deeply impressed the psychological complex of traditional culture.

关 键 词：诗情 灵魂思考 自然意象 

分 类 号：I207.25[文学—中国文学]