“造微入神”与“造理入神”*——北宋易学中的寂感说与艺术思维理论初探  

A Preliminary Study of the Concept of Meditation in the YI Doctrine and the Theory of Artistic Thinking during the North Song Dynasty

作　　者：马兴祥[1] 

机构地区：[1]河北经贸大学人文学院,河北石家庄050061

出　　处：《云南民族大学学报（哲学社会科学版）》2006年第3期120-124,共5页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)

基　　金：2005年河北省教育厅人文社会科学研究计划指导项目;项目批准号[SZ050603]

摘　　要：北宋的艺术理论中的“入神”说主要包含两个方面,即造微入神和造理入神,这两个方面既强调了艺术创作中艺术家的精神状态,同时也是一种真切的生命体验,鲜明体现了宋人艺术思维方式的特点,与北宋易学中的“寂感”说,尤其是对“感而遂通”的理解有密切的关系。The concept of ＂meditation＂ in the artistic theory of the North Song Dynasty consists of two aspects, one being institutionally oriented and the other rationally oriented. Both emphasize the spiritual state of the artist in his artistic creation and reveal a real life experience. This trait of artistic thinking is closely related to the concept of ＂meditation＂ in the YI doctrine during the North Song Dynasty, especially the understanding of ＂comprehension through meditation＂.

关 键 词：寂感 造微入神 造理入神 

分 类 号：I206.2[文学—中国文学]