汉魏小说中东方朔故事的演变轨迹  

In Chinese Wei novel the Dong Fang shuo story evolution path

作　　者：王莉[1] 

机构地区：[1]曲师大文学院,山东曲阜273165

出　　处：《济宁师范专科学校学报》2006年第2期92-95,共4页Journal of Jining Teachers College

摘　　要：东方朔故事是汉魏小说中的重要组成部分,其演变轨迹可以概括为三个阶段:1、沿着历史的轨迹敷演逐渐向小说方向偏离,人物较现实,但故事逐渐有了怪异色彩。2、故事和人物都脱离历史轨迹,东方朔被仙化,故事内容丰富,想象奇特,是东方朔故事中最重要的部分。3、将东方朔与佛家事相连,又成为宣扬佛法的铺垫。然而汉魏六朝以后的小说涉及到东方朔的极少,汉魏六朝小说中塑造的神通广大的东方朔也未被后来的道教吸收为道教人物,其形象在后来的小说中逐渐销声匿迹了。The Dong Fang shuo story is in the Chinese Wei novel important constituent, its evolution path may summarize is threestages： Ist, explains along the historical path to the novel direction deviation, the character is realistic gradually, but the story had the strange color gradually. 2nd, the story and the characters all areseparated from the historical path, the Eastern new moon by theimmortal, story content rich, the imagination is unusual, is in the Dong Fang shuo story the most important part. 3rd, the Eastern new moon and the Buddha family work will be connected, also will become pub- licizes the Buddhist doctrine theupholstery. However the Chinese Wei the Six Dynasties later novel will involve to the Dong Fang shuo side are few, in the Chinese Wei theSix Dynasties novel will mold the all-resourceful Dong Fang shuo by the afterwards Taoism absorption has not been Taoism character, itsimage went into hiding gradually in the afterwards novel.

关 键 词：汉魏小说 东方朔故事 演变轨迹 

分 类 号：I054[文学—文学理论]