丑角的魅力——论白傻子的剧场性功能  

The Clown's Charm --On the Fool Bai's Dramatic Function

作　　者：刘家思[1] 

机构地区：[1]绍兴文理学院人文学院,浙江绍兴312000

出　　处：《四川职业技术学院学报》2006年第2期42-45,共4页Journal of Sichuan Vocational and Technical College

基　　金：本文系渐江省2005年度哲学社会科学规划常规课题<曹禺戏剧的剧场性研究>(课题编号 NX05WX08)的阶段性成果之一

摘　　要：白傻子对《原野》的剧场性营造起了重要作用。一、在“积极赋形”中打破剧场的沉寂,创设规定性的戏剧气氛, 刺激受众的审美经验,形成了戏剧的剧场直觉强度;二、以痴傻人非逻辑的乖戾言行打破戏剧动作的逻辑,制造一种强烈的喜剧性,牵引受众的审美心理,增强了戏剧的剧场感知力度;三、在“双向服从和双向支持”中支配戏剧人物的心理,制造一种紧张的心绪与气氛,激发受众的审美欲望,加大了戏剧的剧场襄抉力度:四、在“泄漏”与“告白”中推进和完善叙事, 制造戏剧的情节链,引起受众的审美期待与感觉,造成了戏剧的剧场吸引强力。Fool Bai plays an important role on the drama＂ Yuan Ye＂： （1）. it breaks the theatrical quietness in the ＂active shape＂, establishes the stipulative theatrical atmosphere, stimulates the audiences＇ esthetic experience, and has formed the intuitive intensity of the drama; （2）. it breaks the logic of the dramtic movement through the Fool＇s disagreeable words and deeds, makes an violent comedy, draws the audiences＇ esthetic psychology, and strengthens the sensation dynamics of the drama; （3）. it controls the characters＇ psychology in ＂bidirectional obedience with bidirectional support＂, makes a tense mood and atmosphere, stimulates the audiences＇ esthetic desire, and enlarges the coercive dynamics; （4）. it pushes and perfects the narration in the ＂divulgence＂ and ＂notification＂, makes the plot chain, causes the audiences＇ esthetic anticipation and feeling, and creats the attract intensity of the drama.

关 键 词：《原野》 白傻子 剧场性 艺术功能 

分 类 号：I207.34[文学—中国文学]