流浪·交流·超越——20世纪德语犹太文学的基本品格  

Vagrancy,Intercourse and Transcendence——On the Basic Patterns of the 20th-century German Jewish Literature

作　　者：张骁[1] 陈召荣[2] 

机构地区：[1]玉林师范学院中文系,广西玉林537000 [2]河西学院中文系,甘肃张掖734000

出　　处：《广西师范学院学报（哲学社会科学版）》2006年第2期40-44,共5页Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition

摘　　要：20世纪德语犹太文学,从卡夫卡到耶利内克这一创作群体,在远古的犹太文化传统里找到了原型支撑,又在现代精神方面承继和拓展着表现主义之后的超前性,自然地展示了文学价值观念形态上的多元分化和两种文化本质上的深度融合。现代与传统相生、遮蔽与彰显同构、反叛与回归并置、超越与固守共存,成为一体化时代异质文化交流互渗、相反相成的文化样本。从整体上显示了代表德语犹太文学普遍性的品质特征。This paper mainly explores the literary pattems of the 20th- century Jewish Literature in the field of cultural traits from the joining point of the German literature and Jewish Literature. The 20th-century German Jewish literature, from Kafka to Elfriede Jelinek, naturally demonstrated the multi-differentiation of the literary values and the essentially deep mixture of the two cultures after finding their ancient archetype support from the Jewish cultural tradition and by inheriting and expanding the transcendence of the after-expressionism in modern spirit. The melting culture in the era of the glohalization is characterized by the co-existence of the modern and the tradition, the co- construction of hiding and demonstration, the juxtaposition of rebellion and regression, and the co-existence of transcendence and defendence, which in the whole represented the universal traits of the German Jewish Literature.

关 键 词：德语犹太文学 犹太性 种族流浪 诗性超越 

分 类 号：I106.9[文学—世界文学]