钟鸣鼎食中的上古诗——西周初年礼制变革与《诗经》祭享诗的原始关联  

A study of the ancient times' poetry in the culture of meal-time line-up of tripods and musical performance

作　　者：张树国[1] 南伟[1] 舒蓉[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《广州大学学报（社会科学版）》2006年第4期54-59,共6页Journal of Guangzhou University:Social Science Edition

基　　金：国家社会科学基金项目(03CZW005)

摘　　要：列鼎与编簋、编钟及笾豆构成了周代礼制的礼器系统,以钟鸣鼎食为代表特征的周代列鼎制度是贵族生活方式的集中反映,与《诗经》雅颂中的仪式性乐歌一起用于以祖先崇拜为中心的尊祖、敬宗及收族的礼仪场合;“钟鸣鼎食”涵盖了《诗经》时代的宴饮文化和音乐文化,与上古诗歌互涵互动,对上古诗歌艺术的内容、用途和功能具有极强的规定性,代表了周代礼乐文明的特质。Tripods and ＂Bianwen＂, together with bell and ＂Biandiao＂ constituted the instruments of the Zhou Dynasty＇s protocol system. The ＂tripod＂ system represented by meal-time line-up of tripods and musical performance is a typical reflection of the lifestyle of the noble class, which was used, together with the ceremonial music and songs of SHI JING in cases of showing respect to ancestors. The ＂meal-time line-up of tripods and musical performance＂ implied the banquet culture and music culture of the time of SHI JING, being interactive and comple- mentary with the poetry of the ancient times. It is of strong prescriptive nature to the content, usage and function of poetic arts of the ancient times, thus represent the nature of the protocol civilization of the Zhou Dynasty.

关 键 词：钟鸣鼎食 列鼎制度 仪式化乐歌 

分 类 号：J0-02[艺术—艺术理论]