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出 处:《湖州师范学院学报》2006年第4期44-48,共5页Journal of Huzhou University
摘 要:丰子恺是一个大众文艺的热心提倡者。在20世纪30年代“左联”发起的文艺大众化运动中,他虽然没有发表多少文章参加讨论,但从20年代起到抗战初期,他不但在理论上积极提倡,而且在漫画和随笔的创作中实践着文艺大众化。由于丰子恺同“左联”距离较远,其思想体系、文艺观点同大多数左翼作家有较大区别,也由于他关于文艺大众化的理论和实践有一定的局限性,因此一向不为人们所注意。研究文艺大众化运动的历史,不应遗忘丰子恺。Feng Zikai was a warm- hearted advocator of the popular literature and arts. He didn't write many articles to take part in the movement to popularize literature and arts initiated by the Left - wing Writers' Union during 1930 's, but from the beginning of the 20th century he not only advocated in theory, but also praeticed literature and arts popularization in his creation of cartoons and essays. Because he kept a distance from the left- wing Writers Union, he was different from most other writers in the thinking system and literature and arts ideas. And also because of his certain limitation in his theory and practice of literature and arts popularization he was seldom noticed by the publie. However, we should not forget Feng Zikai in studying the history of the movement of popularizing literature and arts.
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