采菊东篱下 悠然见南山——玄学与魏晋文学的审美风貌  

Metaphysics and the Aesthetic Style of Literature in Wei and Jin Dynasties

作　　者：皮元珍[1] 

机构地区：[1]长沙大学中文与新闻传播系,湖南长沙410003

出　　处：《海南师范学院学报（社会科学版）》2006年第2期113-119,共7页

摘　　要：玄学的基本要义便是强调主体精神的自由,它既启迪了中国人“诗意栖居”文明幻美的人生理想,同时也促使新的美学观念的诞生。在其影响下,魏晋士人将这种崇尚自然的人生品位,演绎为文学艺术的审美追求,使诗文呈现出淡泊超拔、清虚宕逸、自然简约之美。The basic tenet of metaphysics is to stress the freedom of the subject, which has not only inspired the dreamy ideal of lfie of the Chinese hut also facilitated the birth of new metaphysical notions. Under the impact of such notions, scholars of the Wei and Jin dynasties, who had transformed their admiration of nature into a kind of aesthetic aspiration in literature and art, had managed to render their verse simple but elevated, lucid and elegant as well as natural and concise.

关 键 词：玄学 审美追求 艺术境界 

分 类 号：I206.7[文学—中国文学]