在期待视野的融合中透视文学的效果史——接受美学文学史模式研究  

Looking through the History of Literary Effect from the Mergence of Expecting Vision—Study on the Mode of History of Aesthetic of Reception

作　　者：温潘亚[1] 

机构地区：[1]盐城师范学院,江苏盐城224002

出　　处：《河北学刊》2006年第4期122-126,共5页Hebei Academic Journal

基　　金：江苏省教育厅哲学社会科学基金指导项目(05SJD750015);江苏省重点建设学科--"比较文学与世界文学"科研基金项目;盐城师范学院教授;博士科研项目。

摘　　要：接受美学文学史模式的特点用一句话概括就是以读者为中心,在期待视野融合中朱透视文学的效果史。它主要包括五个方面：文学是一种特殊的历史类型,读者在文学史中地位的确定,文学史的历时与共时研究,效果史与接受史的结合,显示出建构一种总体文学史的意向。它作为文学史研究的新范式,具有着同过去一切文学史理论不同的全新的价值取向,形成了一种对文学总体活动过程研究的新思路,实现了文学史研究方向的根本变化。The characteristic of the mode of Aesthetic of Reception is to regard readers as the center and look through the history of literary effect from the mergence of expecting vision. It mainly includes the following five aspects： literary as a special type of history; establishinent of the readers＇position in literary history; diachronic and synchronic study of literary history; combination of the history of effect and the history of acceptance; and intention of constructing the total literary history. As a new mode in the study of literary history, it has got an entirely new attitude towards value. It forms a new train of thought in studying the course of the total literary activity, and brings about a fundamental change in the study orientation of literary history.

关 键 词：接受美学 文学史模式 期待视野 总体文学史 

分 类 号：I209[文学—中国文学]