李渔戏曲的关目艺术及当代意义  

Guan Mu Arts of Li Yu Drama and Its Contemporary Significance

作　　者：陈庆纪[1] 

机构地区：[1]烟台大学人文学院,山东烟台264005

出　　处：《山西师大学报（社会科学版）》2006年第4期49-52,共4页Journal of Shanxi Normal University(Social Science Edition)

摘　　要：“关目”是关于戏曲结构情节安排和构思的一个重要概念,是明代戏曲评论家品评元人杂剧和明代传奇时常用的一个术语。李渔在《闲情偶寄》中系统地阐述了他的戏曲关目理论,这些理论在戏曲创作实践中的自觉运用,形成了他独特的戏曲关目艺术:关目新奇有趣,细密紧凑,关注人情。李渔的戏曲关目理论及创作实践,对我们深入了解其戏曲创作成就及繁荣当代戏曲文化事业,提高创作、改编水平,都具有非常重要的理论意义和现实指导意义。Plot arrangement and idea in ＂Guan Mu＂ is an important concept about drama structure, and it is the commonly-used term by Ming Dynasty opera critics when they judged the Yuan Zaju and the Ming Dynasty legend. Li Yu systematically elaborated his Guan Mu theory of opera in his Xian Qing Ou Ji, consciously practiced it in his drama, and formed his unique drama Guan Mu arts which was novel, interesting, compact, and attentive to human sentiment. Li Yu＇s Guan Mu theory and his creative practice have extremely important theoretical significance to guide us to understand thoroughly his creative achievements, to flourish contemporary drama cultural cause and enhance creativity and adaptation.

关 键 词：李渔 戏曲 关目艺术 意义 

分 类 号：I207.37[文学—中国文学]