“边声”与“华音”:民族碰撞中的汉代乐章  

Exchange of Minority Nationalities' Music and the Han Dynasty's Music

作　　者：张树国[1] 梁爱东[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《中南民族大学学报（人文社会科学版）》2006年第4期166-169,共4页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：国家社会科学基金项目"宗教伦理与中国上古祭歌形态研究"(03CZW005)

摘　　要：汉代与周边少数民族的碰撞促进了少数民族的交流与归化。反映在文学艺术活动中,体现为两种类型:一是少数民族地区风物与歌谣的引进和传唱,二是少数民族乐器的引进并极大地丰富了中原汉地的歌诗艺术。The conflicts between the Han dynasty and minorities along the frontier promoted the exchanges among them and assimilation of these minority nationalities. It is reflected in two aspects in literary and artistic activities. One is the introduction and circulation of ballads of these minorities; the other is the introduction of instruments of minorities enrich central China＇s poetic and musical art.

关 键 词：汉代 四夷之音 北狄乐 西域乐 

分 类 号：I206.2[文学—中国文学]