诗歌世界中意象实现的认知诠释  

A Cognitive Approach to “In a Station of the Metro” on the Actualization of the Image

作　　者：袁晓军[1] 董粤章[1] 

机构地区：[1]天津大学社会科学与外国语学院,天津300072

出　　处：《求是学刊》2006年第4期115-119,共5页Seeking Truth

摘　　要：埃兹拉·庞德于1913年创作的《地铁站里》因其凝练精准的语言、教科书式的意象选择和实现而被誉为意象派诗歌的经典之作。文章用认知语言学的研究方法探讨该诗作中的意象实现过程。分析发现,研究表明,人类认知在诗歌意象实现过程中发挥着重要作用;人们考察意象时关注的焦点无论是主客相互作用还是天人合一,其实都是基于人的身体(肉身)所实现的人及人的世界通过认知所实现的语言性固着。意象即人,人即语言(文本)。三者统一于符号化的实现过程之中。＂In a Station of the Metro＂ is written by Ezra Pound in 1913 and praised as the classic in Imagist poetry for its concision and precision of language and the process of choosing and actualizing the images as a textbook. This articles aims to probe the actualization of the images by adopting the method of cognitive linguistics. The study shows that human cognitive process plays a great role in the actualization. Furthermore, the focus of human observation of images, no matter the interaction between objectivity and subjectivity, or the combination of man and heaven, is based on the fixation of language made by man and his world through cognition further realized by human body. Image is man, and man is language （text）. These three are combined in the actualization of symbols.

关 键 词：意象 《地铁站里》 意象实现 理念化认知模式 合成空间理论 

分 类 号：I712.072[文学—其他各国文学]