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作 者:杜文曦[1]
机构地区:[1]东华理工学院文法与艺术学院,江西抚州344000
出 处:《东华理工学院学报(社会科学版)》2006年第2期118-121,共4页Journal of East China Institute of Technology
摘 要:初唐宫廷诗与六朝诗歌有着渊源的关系,这已成为广大研究者的共识。但是由于时代的主体不同以及汉赋的影响等原因,初唐宫廷诗在诗歌的题材与意境、写作构思以及语言、风格等方面表现出了对齐梁诗的变革与创新。初唐宫廷诗正是在对六朝诗歌以及汉赋的继承与超越过程中丰富着、完善着,也正是因为有了这个过程我们今天才能看到唐诗的辉煌。It is well known that the palace poesies in the initial stage of Tang Dynasty had close relationship with the poesies in the six Dynasties. Because of different era background between the Tang Dynasty and the six dynasties and the influence of poetry in the Han Dynasty imposing on the palace poesies, the palace poesies in the initial stage of Tang Dynasty is a kind of transformation and innovation on poesies in the Qi and Liang Dynasties in respect of theme, artistic conception, writing ideation, language and style. We can see the resplendence of poesies in the Tang Dynasty only after the palace poesies experienced a process of enrichment and perfection while it inherited and exceeded poesiesin the six Dynasties and Poetry in the Han Dynasty.
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