唐代都市诗的演变及其文化意义  

The Development and Cultural Significance of Metropolitan Poems in Tang Dynasty

作　　者：谢遂联[1] 

机构地区：[1]扬州大学文学院

出　　处：《唐都学刊》2006年第2期13-17,共5页Tangdu Journal

摘　　要：中国古代都市最迟从汉代起就已经十分繁荣,都市也一直没有脱离文人的审美视野,但是在文学研究中传统都市诗歌被忽视。以唐代都市诗歌为切入点,探究其演变特点及其中所体现出来的文人心理乃至传统文化积淀可以发现,初唐京城诗受汉代京都赋的影响表现出政治性夸饰和政治性讽谏,盛唐之后都市诗歌呈现出看似矛盾的两面:或为对都市的疏离冷淡或为对都市繁荣不再的缅怀与感伤。矛盾的两面指向共同的内核:传统文化中没有为人们建立起除了政治性意义之外的都市生活意义体系。In spite of the prosperity of ancient metropolises as well as scholars＇ aesthetic appreciation, traditioal metropolitan poems are neglected in ancient China. This paper makes an analysis of the devolopment, profound culture of metropolitan poems and scholars＇ psychology. Metropolitan poems in early Tang Dynasty are characterized by political exaggeration and irony under the influence of phapsody on the capital. Metropolitan poems after the prosperous Tang Dynasty are characterized by two contradictory respects： indifference towards metropolis and prosperity of metropolis with the common essence： not a single metropolitan life exists except political significance in traditional culture in the Tang Dynasty of China.

关 键 词：唐代都市诗 京城诗 疏离冷淡 文化意义 

分 类 号：I207.209[文学—中国文学]