论陈子龙的词学思想  

On the Lyric Thinking of Chen Zi-long

作　　者：李越深[1] 

机构地区：[1]浙江大学人文学院,浙江杭州310027

出　　处：《内蒙古大学学报（哲学社会科学版）》2006年第4期106-111,共6页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：浙江大学董氏基金项目"云间词派研究"(项目批准号:205000-U20102)

摘　　要：陈子龙的词学思想是明清时期词学批评、词学理论的重要组成部分。其内容主要包括:一、正本清源的意识。陈子龙认为:由于明人过于低估词的价值,率意作词,也由于南北曲等俗文学的影响,致使明词俗化和曲化,走向了衰微。力图正本清源、振衰救弊,并把南唐、北宋词作为词回归本源的标尺。二、对词的价值估计和辨体意识。陈子龙既认同词为“小道”,其价值、品位与诗文无法相提并论,但又承认词独立存在的价值,在此基础上确立的辨体意识强调词与诗、与曲的区别。三、对词体审美标准的体认。包括“四难”说和对词之“意”的关注和重视。The lyric thinking of Chen Zi - long is the very important part of the lyric study critics and theory in Ming and Qing dynasty. Its content mainly includes three parts ： One is the sense of radical reform. He thinks that people of Ming dynasty underestimates the value of lyric and also due to the influence of the common literature such as Nan Bei Qu, the lyric creation of Ming Dynasty walks to declination. Another is the evaluation of lyric and the classification of lyric should hold that lyric is an in- dependent existed value. It is different from poetry and Qu. The last one is the aesthetic standard of lyric and the attention to the meaning of lyric.

关 键 词：正本清源 价值估计 辨体 审美 

分 类 号：I207.23[文学—中国文学]