电影·情感·民居——中国传统民居在电影中的情感演绎  

Film & Sensiblity & Residence-How Chinese Traditional Architecture of Residence Play Sentiment in Film

作　　者：熊燕[1] 

机构地区：[1]华中科技大学建筑与城市规划学院,武汉430074

出　　处：《新建筑》2005年第4期93-94,共2页New Architecture

摘　　要：通过电影《菊豆》在安徽黟县南屏序秩堂和《大红灯笼高高挂》在山西祁县乔家大院的拍摄,阐述了中国传统民居在电影中演绎出的丰富情感,说明民居建筑在电影艺术中不可低估的作用。Chinese traditional architectures of residence express rich emotion in film, which thus occupy an important statue in this artistic form of expression. They stand on this stretch of land silently,and experience the wind and frost of centuries. Who can say the vicissitudes they have undergone are not the sources of sensibility. The history they have written down tells the slow but impressive changes of architecture, folk custom, ethics, and sentiment equally.

关 键 词：中国传统民居 演绎 民俗 伦理 情感 

分 类 号：TU-05[建筑科学—建筑理论]