王僧虔书论的美学思想  

The Aesthetic Thought of Wang Seng-qian's Calligraphic Theory

作　　者：黄鸿琼[1] 

机构地区：[1]泉州师范学院人文学院,福建泉州362000

出　　处：《泉州师范学院学报》2006年第1期110-114,120,共6页Journal of Quanzhou Normal University

摘　　要：王僧虔,南朝齐书法家,也是书法理论家。他的成就更重要的是他的书法美学方面的建树。王僧虔的书论很多,现存书论有《论书》、《笔意赞》、《书赋》。文中提出了天然与工夫、笔力与媚好、形质与神采、情与思等赋于独到见解的美学思想。对后世影响很大。At Southern Dynasties, calligrapher Wang Seng-qian also was a calligrphic theorist. His achievements was the contribution to calligraphic aesthetics more importantly. There were very much about calligraphic theory in Wang Seng-qian＇s works, there are On Calligraphy, Praises for Writing Ideas and Song of Calligraphy in existence. In the works put forward that original views of aesthetic thought about nature and Gongfu, vigor of strokes in calligraphy and coquetry,shape and expression,emotion and thought,had influenced greatly later generations.

关 键 词：王僧虔 书论 美学思想 

分 类 号：J292.23[艺术—美术]