靠近艺术还是靠近机械——格罗庇乌斯的思想转变  

Close to Art or Close to Machine-About the Thoughts Conversion of Walter Gropius

作　　者：于晓[1] 刘琨明[2] 于琦 

机构地区：[1]青岛大学高职学院,青岛266061 [2]青岛理工大学机械工程学院,青岛266033 [3]青岛建设装饰集团有限公司,青岛266071

出　　处：《青岛理工大学学报》2006年第4期115-117,共3页Journal of Qingdao University of Technology

摘　　要：近一个世纪以前,格罗庇乌斯和包豪斯的先驱们将乌托邦理想与工业时代的现实背景及时沟通、结合,使浪漫情怀与冰冷机器的矛盾融合继而生成了工业时代特有的生活方式;当下设计是否应该将充满危机的现实与失落的理想重新沟通,在数字化生存方式下,及时进行情感补足,使新的情理矛盾能开启信息时代诗意化的生活.Nearly a century ago, Walter Gropius and the forerunners of Bauhaus tried to set their Utopian idealism against an industrial background, hoping to reconcile the two elements. The intention to harmonize their romantic sentiments and the apathetic machinery led to a unique pattern of living in an age of industrialization. It is our concern whether we should reconcile again the crisis-ridden reality with the lost idealism. It is imperative that feelings be taken into timely consideration in a digital way of subsistence so that new contradiction between feelings and reason can facilitate a poetic life in an era of information.

关 键 词：设计 机械 格罗庇乌斯 包豪斯 

分 类 号：J06[艺术—艺术理论]