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作 者:甘丽娟[1]
出 处:《齐鲁学刊》2006年第5期109-112,共4页Qilu Journal
摘 要:坪内逍遥在1885年发表的《小说神髓》中提出了写实主义小说观。他的小说观以批判以往劝善惩恶文学观为前提,通过对两者在描写内容、人物塑造和情节方面的对比分析,指出戏作文学的不足和缺陷,实现对其传统的超越,真正完成了日本小说观念的近代转型,对日本近代文论和文学都产生了重大影响。Tsubouchi Shoyo put forward the realism fiction idea in his the essence of novel which was published in1885. His fiction idea firstly animadverted on the ancient idea which praised the good actions and negated the bad ones. He pointed out the shortages and disfigurements of the popular stories by comparing his own novel idea with it about their narrating content, figu-ring character and polts of story. The idea exceeded traditional one and indeed brought the approximate modern transferring of the fiction idea of Japanese. It materially impacted the literature theory and the literature of approximate modern of Japan.
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