敦煌曲子词之词学思想初探  

On Ci Poetry's Thoughts of Melody In Dunhuang

作　　者：徐安琪[1] 

机构地区：[1]华中科技大学中文系,湖北武汉430074

出　　处：《华中科技大学学报（社会科学版）》2006年第5期77-81,共5页Journal of Huazhong University of Science and Technology(Social Science Edition)

摘　　要：敦煌曲子词是词的初期形态。雏形的词学思想伴随着敦煌曲子词的节拍相继萌生。敦煌曲子词的词学思想主要体现为三个方面,即:缘题所赋予抒其哀乐的词体功能意识、鲜活生动的原始形态以及朴拙自然的审美理想。敦煌曲子词的词学思想尚处于直觉、混沌的状态,但从它的创作倾向来看,在混沌的状态中,孕育着未来词体发展的多样性的合理趋向。The melodies of Dunhuang are a kind of singing which had always been sung with Yanyue, the embryo thoughts of Ci poetry was born with the reythm of melodies gradually. Ci poetry＇s thoughts of Melodies in Dunhuang indicate three ways mainly： First, expressing dolorous emotions according as the topic ;Second, the beauty of original melody form is fresh and vivid ;Third, the aesthetic ideality is simple and natural. The Ci Poetry＇s Thoughts of Melody In Dunhuang are still disordered,However, from their creation tendency,even though we still can＇t understand the essence of melodies of Dunhuang, but it shows us the reasonable tendency of the future Ci style.

关 键 词：敦煌曲子词 词学思想 缘题所赋 朴拙自然 

分 类 号：I207.23[文学—中国文学]