“小女人散文”与晚明小品文  

"Little Women's Prose" and Familiar Essays of the Late Ming Dynasty

作　　者：白军芳[1] 冯希哲[1] 

机构地区：[1]西安工业学院人文学院,陕西西安710032

出　　处：《海南师范学院学报（社会科学版）》2006年第4期65-67,共3页

摘　　要：晚明小品文是中国历史上创作个人化的一个高潮,它在许多方面与“小女人散文”的个性化写作有相通之处。后人对晚明小品文的评价多从艺术角度加以肯定,而对其蕴含的知识男性生活意识和生存方式给以忽略,而对“小女人散文”则带有负面的性别审美倾向。该文在论述这一文学现象后,认为女作家“女”性意识的客体化在“小女人散文”遭受不公平评价中应负有责任。The familiar essay of the late Ming Dynasty, which is a climax of individualization of creation in the Chinese history, has much in common with the individualized writing of ＂little women＇s prose＂ in many aspects. In their assessment of the familiar essay, critics of later generations have tended to approach it from its artistic angle while neglecting its implicated life consciousness and subsistence mode of male intellectuals. As for ＂little women＇s prose＂, a negative aesthetic attitude of gender has been adopted towards it. By analyzing this literary phenomenon, this paper opines that women writers should be liable for the unfair evaluation of the women writers＇objectified feminine awareness in ＂little women prose＂.

关 键 词：小品文 小女人散文 性别文化 

分 类 号：I207.6[文学—中国文学] I206.2