荒诞与异化:西方现代主义文学反向悲剧的重新阐释  

Absurdity and Alienation: The New Interpretation of Reverse Tragedies in Western Modernistic Literature

作　　者：黄怡俐[1] 

机构地区：[1]许昌学院外国语学院,河南许昌461000

出　　处：《河南社会科学》2006年第5期163-165,共3页Henan Social Sciences

摘　　要：现代的西方西绪福斯精神孕育了西方现代主义文学的新悲剧意识。西方现代主义文学的艺术形象是“意识到一切都是荒谬人”,是“局外人”,并由此表现出少有的孤独和冷漠,潜含着真正的悲剧性。生之忧与死之惧是现代人的通病,也是西方现代主义文学不断触及的表现主题,荒诞的厌倦和恐惧构成现代主义文学悲剧意识的两大内容。“异化”是西方人最严峻的悲剧性境遇,对人类崇高品格的否定必然导致对悲剧崇高性的否定,因此出现了现代主义文学的反向悲剧。Modem western Sisyphus spirits gave birth to the new tragedy consciousness of western modernistic literature, Images in the western modernistic literature are ＂outsider＂ through whom loneliness and indifference are expressed. And the real tragic sense hides in these images. Worrying about the living life and fearing death are the common feelings of modern man as well as the subjects constantly covered in the western modernistic literature. Absurd boredom and fear become the two main contents of tragedy consciousness of modernistic literature. ＂Alienation＂ is the most brutal tragic circumstances to western people. Denying noble morals of the human beings certainly leads to denying the dignity of the tragedy, Therefore, the reverse tragedy of modernistic literature comes out,

关 键 词：西绪福斯精神 孤独与冷漠 厌倦与恐惧 反向悲剧 

分 类 号：I106[文学—世界文学]