中国古代小说戏曲中的分层叙述  

Multi-leveled Narration of Chinese Ancient Frictions and Dramas

作　　者：宋常立[1] 

机构地区：[1]天津师范大学文学院,天津300387

出　　处：《天津师范大学学报（社会科学版）》2006年第5期64-69,共6页Journal of Tianjin Normal University(Social Science)

基　　金：国家社会科学基金项目(06BZW039)

摘　　要：早期的戏曲如元杂剧,吸收了小说的叙事方式,将小说的一人(说书人)叙事,变为戏曲的多人(多个角色)叙事,于是,必须由多个不同叙述者才能构成的分层叙述、跨层人物叙述以及复合叙述者叙述等叙述手法,首先在戏曲中出现了。明清长篇小说的叙述分层等手法,就是向戏曲借鉴的结果。打通古代小说、戏曲的文体界限,探寻其叙事艺术相互交融的传承发展轨迹,这是中国古代文学史研究中一个值得深入探讨的新课题。The dramas in the early stage, such as Yuan Drama changed the narrative departure of point from one person （storyteller） to many people （several roles） by absorbing the narrative approach of friction. So in the drama firstly does appear such narrative approach as multi-leveled narration, narration of same people in different chapters and narration by the person not only as participant but also as a narrator. Multi-leveled narrative approach in long frictions of Ming and Qing Dynasties are learned from dramas. It is a new topic in Chinese ancient literature field to explore the development track of combined narrative approaches in both Chinese ancient friction and drama.

关 键 词：古代小说 古代戏曲 分层叙述 文体交融 

分 类 号：I207.41[文学—中国文学] I207.3