云南民族乐舞起源的初步考证  

A Primary Observation and Study on the Music and Dance Origin of Yunnan Minorities

作　　者：詹七一[1] 虎利平[1] 

机构地区：[1]昆明大学社会科学系,云南昆明650118

出　　处：《昆明大学学报》2006年第3期51-54,共4页Journal of Kunming University

基　　金：昆明大学2004年立项的社会科学研究项目<早期云南民族审美文化研究>之阶段性成果

摘　　要：与其他上古社会一致,云南少数民族早期的乐舞活动在他们的社会行为中,实为一种混融着原始思维的、综合性的文化事象。因此,考定其起源,从发生学的意义上阐述其特征,是透视其社会功能的基本前提。文章在断代较确切的华夏文化参照下,通过云南少数民族乐舞活动最早的上古遗存———岩画和迄今尚存的民俗活动及相关记载两个基本途径,初步描述了它们源头上的基本面貌。As other ancient society, the minorities＇ music and dance activities of early times in Yunnan province is a kind of comprehensive cultural phenomena mixing primordial thoughts, so penetrating its social functions is a basic premise to study its origin and set forth its characters. Under the situation of the exact cultural judge, this article outlines its fundamental visages by studying the ancient inheritance of music and dance activities rock paintings, the remaining folk activities and relavant records.

关 键 词：云南少数民族 乐舞活动 起源 岩画 崇拜民俗 

分 类 号：J709.2[艺术—舞蹈]