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作 者:张宏梁[1]
出 处:《扬州大学学报(人文社会科学版)》2006年第5期65-68,共4页Journal of Yangzhou University(Humanities and Social Sciences Edition)
基 金:全国艺术科学"十五"规划课题(01DA58)
摘 要:作家、艺术家的胆识可分为创作胆量、表演胆量、发表胆量及相应的见识等。文艺创作和艺术表演的胆识突出地表现在敢于创新,敢于“反常突破”。创造成果的独特性往往反映了创造者的个性独特性,表现了创造者独特的气质、性格、兴趣、志向等个性特征,同时也需要创造者的勇气和魄力。文艺要标新立异就应当有胆量,但胆量的放开总得有个“度”。这个“度”还突出地体现在如何表现“性”、如何展现人体、如何借鉴西方的一些表现形式等问题上。The courage and insight of a writer or artist refer to his courage to produce, perform and deliver his work of arts as well as his unique perspective. They are outstandingly reflected in his courage to dash out of the norm. The unique innovation usually shows the creator's disposition, traits, interest, ambition and so on. However, there should be a limit to this sort of courage, especially when it comes to the demonstration of sex or human body and to the borrowing of some western techniques of expression.
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