后现代社会的诗性特征:生活的符号化——《白噪音》文本的对话式解读  

Symbolization of Life: A Dialogical Interpretation of White Noise

作　　者：张杰[1] 孔燕[2] 

机构地区：[1]南京师范大学外国语学院 [2]南京师范大学外国语学院英语系

出　　处：《外国文学研究》2006年第5期40-44,共5页Foreign Literature Studies

摘　　要：长期以来,国内学者大多是从生态主义和消费主义的角度审视唐·德里罗的小说《白噪音》,还没有涉及小说创作的“生活的符号化”主题。本文将以巴赫金的社会文化符号学理论为基础,特别是以巴赫金的对话思想和批评方法为核心,深入阐释小说《白噪音》的文本意义。本文认为,作品似乎不像传统的现实主义作品那样贴近物质世界,却在生活的符号化过程中,更深层次地揭示了当今以美国为代表的后现代商品社会的诗性特征,发掘出后现代生活独特的精神世界。Don DeLillo＇ s White Noise has long been studied by Chinese scholars mosdy from the perspectives of eco-criticism and consumerism, yet its theme of symbolization of life has been little touched upon yet. This essay is aimed at interpreting this novel on the basis of Bakhtin＇ s theory on socio-cultural semiotics, especially his dialogical theory. This essay believes that, unlike those traditional realistic novels that are close to the material world, this novel, by the process of symbolization of life, reveals at a greater depth the poetic features of the postmodern commercial society represented by America, and embodies the unique spiritual world of postmodern life.

关 键 词：唐·德里罗 巴赫金 《白噪音》 生活的符号化 

分 类 号：I712.074[文学—其他各国文学]