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作 者:刘艳[1]
出 处:《山东师范大学学报(人文社会科学版)》2006年第4期46-49,共4页Journal of Shandong Normal University(Humanities and Social Sciences)
摘 要:中国现代文学的巨擘鲁迅先生,在对中西方文化怀有一种双重的忧患疑惧意识当中,不断表达着他作为孤独的思想先行者所感受到的精神的放逐———一种前所未有的尖锐性与深刻性的孤独体验。如果说,《呐喊》和《彷徨》中,鲁迅还怀着毁坏铁屋子的希望、更多记取着“为别人”和给社会人看的启蒙目的的话,那么,更为深刻的个体孤独寂寞与生命存在虚无的体验,则被情感满溢、内心无法平静的鲁迅以独特的艺术想象力衍化生成一丛独特的“野草”———《野草》是鲁迅写给自己的文字,也成为他那孤独心灵的深层写照。With doubts, scares, and worries towards both the Eastern and Western Cultures, Lu Xun, the man of letters of modem Chinese literature, has repeatedly expressed his consciousness as a spiritual exile - an unprecedented experience - that is acute and profound and that he feels as a lonely pace setter in the world of letters. If in The Yell and The Straying, Lu Xun is pregnant with the hope to demolish the "Iron House" and the intention to enlighten the "others" and the people in the street, the Weed is created into a bunch of special weed with a unique literary imaginative power. In this book, Lu Xun who is passionate and concerned about the society successfully and profoundly reveals the experience of loneliness and non - existence of life. This book is an artistic creation both for himself and an in - depth portraiture of his own lonely soul.
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